Early Life
She was born on 7 November 1973 – the middle child of three girls.
She lives in South Korea with the love of her life – her 14-year-old
dog, Tobi. At the age of 10, Kim immigrated to the United States with
her family – hence becoming a member of the 1.5 generation (a term
referring to Korean Americans born in South Korea but brought up in the
U.S.). She joined the middle school drama club in the 7th grade to get
over her shyness and performed in the musical My Fair Lady. She attended
the prestigious High School of Performing Arts in New York and received
her BFA in acting from Boston University.
Kim
moved to New York City to pursue her acting, where she attended and earned
her diploma at the Fiorello H. LaGuardia High School of Music & Art
and Performing Arts. From there, she studied drama at the London Academy
of Performing Arts and later earned her acting degree at Boston University.
Career
After graduation, Kim devoted herself full time to acting. She garnered
several minor parts on MTV, in soap opera-style dramas on ABC, and on
the Broadway stage. In 1996, a Korean TV show filming in Manhattan called
and persuaded her to return to her homeland, to appear in the Korean
TV drama A Gorgeous Vacation. This was followed by two other roles in
Foreboding and the miniseries Wedding Dress. Her other Korean feature
film credits include starring roles in Ardor, Yesterday, Iron Palm,
Ginko Bed 2, Journal of June and the Japanese film, Rush, as well as
roles in the television weekend dramas With Love and Wedding Dress,
and the miniseries Hunch and Beautiful Vacation. She recently guest
hosted on ABC's The View. Then in 1997 she was offered a script for
her debut film, Shiri (1999) – this film beat Titanic to become
the best selling movie in South Korean history. South Korea is the only
country to have it's own movie beat “Titanic's” sales.
Over the next several
years, this accomplished actress starred in five additional films. In
July 2003, Kim signed a three-year contract with William Morris. Kim can
currently be seen as the character Sun Kwon in the television series Lost
(2004). She auditioned for the role of Kate and the producers were so
impressed with her, that they created the role of Sun. In May 2006, Maxim
named Kim #98 on its annual Hot 100 List. In October 2006 she was featured
on the cover of Stuff, as well as a spread inside the magazine. Kim was
the Goodwill Ambassador for the 2002 World Cup in Japan and Korea, representing
Korea. She is a trained fighter. Her combat skills are Unarmed, Quarter
Staff, Broad Sword and Tae Kwon Do. She is a trained dancer in the disciplines
of ballet, jazz, Afro-Caribbean and Peking Opera. She also published a
Japanese photobook called "XOXO". Her nickname in
Korea is Yeo Chun Sa, or "The Warrior Woman."
Asian
People on Television |
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Yunjin
Kim |
When
asked why there are so few Asian-Americans in Hollywood, Yunjin
is very practical: "I think it's just basic need -- if there's
more than that, there'll be more." She notes that the number
of Asians in America is actually quite low.
According
to the CIA Factbook, Asian-Americans make up a mere 4.2% of the
total U.S. population.
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Yunjin
Kim |
"I
don't think it's because they don't want to see Asians, I think
it's less of a demand.
If they were going to have an ethnic character
in a feature film, why not use a Hispanic actress instead of an
Asian-American actress, because more Latinos would come to see
that film....it's as simple as that."
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Yunjin Kim
Rejected "Geisha" Role
Yunjin Kim who plays "Sun" on our beloved Hawaii-based series
"Lost," was tapped to play the geisha role that Michelle Yeoh
eventually took. "For five hours, Yoon-jin Kim pondered a supporting
role in the $85-million movie Memoirs Of A Geisha, based on the 1997 best-selling
novel by Arthur Golden. 'Since it was a film by Steven Spielberg and Rob
Marshall, I first thought maybe I should just close my eyes tight and
just do it....Even if it is Hollywood, I don't want to start by playing
a Japanese geisha. It's a matter of pride,' she said." Well, I'll
withhold judgment on all the Japanese/Chinese, exoticization/misrepresentation/artistic
license stuff until I actually watch the film, but...white guy writes
geisha book, white readers buy geisha book, white guy produces geisha
movie, white guy directs geisha movie, white audiences watch geisha movie...doesn't
bode well.
"Personally,
I don't think it is wrong for a Korean actress to play a Japanese character
in a film, or vice versa. I just didn't like the character of the geisha
that I was offered. If the role had been appealing, I would have given
more thought to the request. And when I received the offer, I had already
decided to accept the role in `Georgia Heat.'" (Yunjin’s
quote on The Chosun Ilbo)
How
Did You Get Involved with "Lost?"
ABC's casting director Kelly Lee, a Korean-American, proposed that I sign
an exclusive contract with ABC. It was an unusual proposal because I am
not recognized in the United States that much. My agency was also surprised.
J.J. Abrams is the producer and director of “Lost.” He is
also the president of the production company that made the miniseries.
|
Yunjin
Kim |
After meeting with me, Abrams created the role of “Sun” for
me.
He also eased her concerns that her character on the show was overly
submissive by promising the role will be further developed. ``I signed
on before reading the script, and then when I read the pilot I was like,
'Korean women are not like this any more. They are not so submissive.
I cannot play a role like this. It does not represent Asian women in the
right way.''' (Prestige Hong Kong Magazine) ``He explained that all the
characters are archetypes, not stereotypes. They are going to seem to
be a certain way, but along the way their true identities will be revealed,''
she said.
Lost
executive producer Damon Lindelof says Kim's crossover appeal reflects
the level of her acting talent. "Quite simply, acting talent
is acting talent," he tells me. "The U.S. is traditionally slower
to respond to Asian actors as `stars,' but the fact that Yunjin simply
is one is pretty much undeniable. At the end of the day, the fact that
she is Korean is secondary to the fact that she is so facile with portraying
human characters that audiences anywhere can respond to."
Another executive producer on "Lost," Carlton
Cuse, has produced other projects with and/or starring Asian Americans
such as the above-listed “Lost” (Daniel
Dae Kim/Yunjin Kim), “Black Sash” (starring Russell Wong),
“Martial
Law” (w/Sammo Hung and Kelly Hu) and “Nash Bridges”
(Kelly Hu, Kelvin Han Lee, Tzi Ma).
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